Oregon, USA · 1979 – c. 2001
Tekura
“Introduces controlled quantization error, for measurement and effect.”
Tekura was the oldest of the four houses and the least sentimental. It built precision instruments for measuring digital audio's flaws — signal analyzers, quantization and jitter meters, converter test sets — and its analyzers became the reference against which studios and broadcasters characterized their converters. If a Tekura scope showed it, it was true. Measurement went soft: PC-based analysis did the work of a rack for a hundredth of the price, and the audio-instruments division was sold off around 2001, ending without ceremony. Orrery bought the remaining reference units and the calibration archive at auction. Used as effects, these instruments are precision turned inside out.
The Tekura catalogue — 11 instruments
4400 — Quantization Analyzer
The bench standard for characterizing bit-depth error, reborn as the archive's cleanest destruction tool.
2200 — Signal Decimator
The sample-rate side of destruction, with the honesty an instrument demands: it lets you choose clean band-limited decimation or the aliased kind, deliberately.
1601 — Jitter Reference
An instrument for injecting clock jitter in measured amounts — as an effect, a subtle, frequency-dependent smear and shimmer that most tools can't make.
3100 — Perceptual Codec
The lab's generic perceptual coder, with the masking model exposed on the panel — a measurement framing of the "lossy compression" sound, tunable from transparent to obviously crushed.
1050 — Reconstruction Filter
A converter's output stage on its own: choose how the samples become sound.
5150 — DAT Reference
The clinical companion to Yumeo's consumer DAT: 16-bit that is almost, but not quite, clean.
6100 — Spectrum Analyzer
The real-time spectrum bench, turned into a spectral processor.
6200 — Correlation Analyzer
The goniometer and phase meter, plus the stereo tools that measurement implies.
4200 — Distortion Analyzer
A THD reference that adds exactly the harmonics you dial — measured distortion as a precise, clean harmonic generator.
1200 — Noise Reference
The lab's calibrated source: white, pink, and band-limited noise at exact levels, plus test tones and correct dither.
1100 — Response Analyzer
The swept-sine rig that measures a system's impulse response — and then lets you play through it.