Orrery — Copenhagen

OR-0028

Salo Oy
Salo, Finland · 1991 – c. 2004

Ser. LN-9207-0033
1992 · effect

Issued as VST3 · AU

Restored 2025 from 1992 hardware.

Salo 2110 — POTS Telephone

Salo 2110 · analog line reference · restored from unit no. LN-9207-0033 · Salo Oy, Salo, Finland, 1992

The restorer's note

The oldest voice in the house and the one everyone recognizes — narrowband, companded, a dial tone somewhere in its bones. Serial 0033: an early unit, built the year after Salo opened its doors. The µ-law companding is original; a plain equaliser would only impersonate it.

Acquisition

The Salo Collection $49 · €45 · £39 · 329 DKK The Complete Catalogue $149 · €135 · £115 · 999 DKK

Prices are exclusive of tax. Customers in a country that charges VAT or sales tax will be liable at the rate set by that country; the relevant amount is added at checkout to the purchase price.

Borrow it from the archive for a short time, or acquire it for your collection.

Runs in your studio as AU and VST3 on macOS, and VST3 on Windows.

Download — macOS: installer · zip · Windows: installer · zip

Issue 1.1.0 · 2026-10-08

Earlier issues

Issue 1.0.2 · 2026-08-28 — macOS: installer · zip · Windows: installer · zip

The plate

The restored Salo 2110 — POTS Telephone: its faceplate as issued.
Plate 28 · as issued

The controls

The controls.

Low 200–600 Hz · 300 Hz as issued
Sets the high-pass corner of the line's narrow telephone band.
High 2.4–4.0 kHz · 3.4 kHz as issued
Sets the low-pass corner of the line's narrow telephone band.
Compand 0–100 % · 60 % as issued
Sets the depth of the µ-law companding crunch that gives the line its voice.
Line Noise 0–100 % · 20 % as issued
Adds hiss and mains hum to the line; HUM sets the hum's frequency.
Hybrid Echo 0–100 % · 15 % as issued
Adds the two-wire hybrid's echo — the reflection that makes a telephone line sound like it's in a room.
Line Tone Off as issued
Adds a call-progress tone to the line: Off, Dial, Ringback, or Busy.
Hum 50 Hz as issued
Chooses the mains frequency of the hum under Line Noise: 50 Hz, as across Europe, or 60 Hz, as across North America.
Input -24.00–24.00 dB · 0.00 dB as issued
Sets the level going in, in decibels, before the signal reaches the restored circuit.
Output -24.00–24.00 dB · 0.00 dB as issued
Sets the level coming out, in decibels, after the restored circuit and the Mix blend.
Mix 0–100 % · 100 % as issued
Blends the restored circuit against the untouched signal at equal power, from the untouched signal alone at 0 % to the circuit alone at 100 %.
Bypass Off as issued
Takes the restored circuit out of the path and passes the untouched signal, delayed to match the circuit so nothing shifts in time.

A stored setup is a memory. MENU opens the list: the display reads MEMORY 03/12, with the memory's name below. ◂ ▸ step through it without changing the sound, and OK loads the one shown. Holding OK asks STORE? OK; OK again opens the name, which starts as USER NN. ◂ ▸ change the letter, OK moves on, and holding OK stores it; the computer keyboard may type the name instead, Return storing and Escape cancelling. Holding MENU on a user memory asks CLEAR? OK.

Listening

Listening

Demonstration recordings, prepared at the bench.

  1. The local line

    The note reads dry for six seconds; then the line takes it — 300 Hz to 3.4 kHz, the companding crunch at its bench 60 % — and the voice arrives as a call.

    0:00 / 0:30

  2. The band, closing

    Low climbs from 200 to 600 Hz while High falls from 4 kHz to 2.4 kHz — the band closing on the voice from both ends — and Compand then brings the µ-law crunch from nought to full.

    0:00 / 0:30

  3. On hold

    The mix is sent down the line: the Dial tone opens the call, Line Noise at 70 % and Hybrid Echo at 60 % colour the passage — the music of a phone left off the hook — and the Busy signal ends it.

    0:00 / 0:30