Questions for the bench.

Runs in your studio as AU and VST3 on macOS, and VST3 on Windows.

One certificate covers everything the acquisition included, on up to three machines. Enter it in any one instrument and the rest follow on that machine. The details live at the machine ledger.

The registrar re-sends it: give the certificate page the address you bought with, and the certificate returns to that address.

Every instrument downloads free and plays unmarked on loan from the archive, thirty minutes at a time. A certificate of issue keeps it.

Paddle, as merchant of record, handles refund requests under its buyer terms. If a refund is approved, the licence it covered is suspended in the registrar and the instruments stop authorising at their next consultation. Nothing here limits any statutory right you hold as a consumer.

Only the notices you ask for — the archive writes when there is something to say, rarely, and about the work only. Certificates and receipts arrive regardless; they are yours. The register is at notices from the bench.

Prices are exclusive of tax. Customers in a country that charges VAT or sales tax will be liable at the rate set by that country; the relevant amount is added at checkout to the purchase price.

The instruments are real: built, sold, and licensed exactly as the catalogue says. The story around them is a story — the fiction, plainly.