Orrery — Copenhagen

OR-0016

Tekura
Oregon, USA · 1979 – c. 2001

Ser. Type 1050 · Ser. No. 02207-A
1986 · effect

Issued as VST3 · AU

Restored 2024 from 1986 hardware.

Tekura 1050 — Reconstruction Filter

Tekura Type 1050 · Reconstruction Filter · restored from Ser. No. 02207-A · Tekura, Oregon, USA, 1986

The restorer's note

The output stage of a converter, isolated — the whole difference between "cheap digital" and "good digital," made a knob. Zero-order hold for the buzzy, imaged top; band-limited for the clean. One of Tekura's earliest designs, and still exact.

Acquisition

The Tekura Collection $49 · €45 · £39 · 329 DKK The Complete Catalogue $149 · €135 · £115 · 999 DKK

Prices are exclusive of tax. Customers in a country that charges VAT or sales tax will be liable at the rate set by that country; the relevant amount is added at checkout to the purchase price.

Borrow it from the archive for a short time, or acquire it for your collection.

Runs in your studio as AU and VST3 on macOS, and VST3 on Windows.

Download — macOS: installer · zip · Windows: installer · zip

Issue 1.1.0 · 2026-10-08

Earlier issues

Issue 1.0.2 · 2026-08-28 — macOS: installer · zip · Windows: installer · zip

The plate

The restored Tekura 1050 — Reconstruction Filter: its faceplate as issued.
Plate 16 · as issued

The controls

The controls.

Mode Zero-Order Hold as issued
Chooses how samples are turned back into a continuous signal: Zero-Order Hold, which leaves the stepped images in; Band-limited, which filters them out cleanly; or Brickwall, which filters them out with pre-ringing.
Rate 8.0–48.0 kHz · 44.1 kHz as issued
Sets the modeled converter's sample rate, which sets where the reconstruction images fall in Zero-Order Hold mode.
Bandwidth 8.0–22.0 kHz · 18.0 kHz as issued
Sets the low-pass corner of the converter's output stage, after reconstruction.
Ringing 0–100 % · 50 % as issued
Sets the pre-ringing before a transient in Brickwall mode; it has no effect in Zero-Order Hold or Band-limited mode.
Input -24.00–24.00 dB · 0.00 dB as issued
Sets the level going in, in decibels, before the signal reaches the restored circuit.
Output -24.00–24.00 dB · 0.00 dB as issued
Sets the level coming out, in decibels, after the restored circuit and the Mix blend.
Mix 0–100 % · 100 % as issued
Blends the restored circuit against the untouched signal at equal power, from the untouched signal alone at 0 % to the circuit alone at 100 %.
Bypass Off as issued
Takes the restored circuit out of the path and passes the untouched signal, delayed to match the circuit so nothing shifts in time.

A stored setting is numbered, never named: the trace's overlay reads SETTING 04/09. The thumbwheel's position is the setting, and it applies as it clicks into place; ▲ ▼ step one at a time and stop at the ends. STORE asks STORE NN?, and a second press keeps the present state as SETTING NN. Holding STORE on a user setting asks CLEAR NN?, and a second press clears it.

Listening

Listening

Demonstration recordings, prepared at the bench.

  1. Twelve kilohertz, held

    The mix runs dry for five seconds, then the converter model: Zero-Order Hold at a 12 kHz Rate. The images sit above the passband, unfiltered — here, the reconstruction is the instrument.

    0:00 / 0:30

  2. Forty-eight down to eight

    Rate falls from 48 kHz to 8 kHz in one continuous move, Zero-Order Hold throughout. At the top the model is nearly transparent; by the bottom the images have walked down into the music.

    0:00 / 0:30

  3. Three reconstructions

    The same figure at a 16 kHz Rate, three ways: Zero-Order Hold with its images, Band-limited clean, then Brickwall — Ringing raised to 100 % puts the pre-ring in front of every hit. Bandwidth closes to 8 kHz at the end.

    0:00 / 0:30