Orrery — Copenhagen

OR-0013

Tekura
Oregon, USA · 1979 – c. 2001

Ser. Type 2200 · Ser. No. 01138-B
1990 · effect

Issued as VST3 · AU

Restored 2024 from 1990 hardware.

Tekura 2200 — Signal Decimator

Tekura Type 2200 · Signal Decimator · restored from Ser. No. 01138-B · Tekura, Oregon, USA, 1990

The restorer's note

Where most sample-rate reducers hide the aliasing, Tekura's instrument makes it a measured choice — clean band-limited decimation, or the folded-over kind, on a switch. An engineer's honesty, put to destructive use. Restored from a revision-B bench unit.

Acquisition

The Tekura Collection $49 · €45 · £39 · 329 DKK The Complete Catalogue $149 · €135 · £115 · 999 DKK

Prices are exclusive of tax. Customers in a country that charges VAT or sales tax will be liable at the rate set by that country; the relevant amount is added at checkout to the purchase price.

Borrow it from the archive for a short time, or acquire it for your collection.

Runs in your studio as AU and VST3 on macOS, and VST3 on Windows.

Download — macOS: installer · zip · Windows: installer · zip

The plate

The restored Tekura 2200 — Signal Decimator: its faceplate as issued.
Plate 13 · as issued

Listening

Listening

Demonstration recordings, prepared at the bench.

  1. Eleven kilohertz, plainly

    The phrase runs dry for five seconds, then the bench default: sample-and-hold to 11.025 kHz, anti-alias off. The top octave folds back into the material.

    0:00 / 0:30

  2. The rate walked down

    Rate is walked from 26 kHz down to 1 kHz in one pass — sample-and-hold, no anti-alias filter. The foldover arrives on schedule; nothing here is misbehaving.

    0:00 / 0:30

  3. Two ways down

    The same figure taken down two ways: Band-limited at 4 kHz with the anti-alias filter in, then Sample-and-Hold with it out. The Output Filter closes to 3.5 kHz at the end.

    0:00 / 0:30