Orrery — Copenhagen

OR-0015

Tekura
Oregon, USA · 1979 – c. 2001

Ser. Type 3100 · Ser. No. 00461-C
1994 · effect

Issued as VST3 · AU

Restored 2024 from 1994 hardware.

Tekura 3100 — Perceptual Codec

Tekura Type 3100 · Perceptual Codec analyzer · restored from Ser. No. 00461-C · Tekura, Oregon, USA, 1994

The restorer's note

Tekura put the masking model on the front panel so you could watch compression decide what to discard. Push it and the artifacts arrive on schedule — pre-echo, dulled highs — because they are physics, not seasoning. Restored from a revision-C unit.

Acquisition

The Tekura Collection $49 · €45 · £39 · 329 DKK The Complete Catalogue $149 · €135 · £115 · 999 DKK

Prices are exclusive of tax. Customers in a country that charges VAT or sales tax will be liable at the rate set by that country; the relevant amount is added at checkout to the purchase price.

Borrow it from the archive for a short time, or acquire it for your collection.

Runs in your studio as AU and VST3 on macOS, and VST3 on Windows.

Download — macOS: installer · zip · Windows: installer · zip

Issue 1.1.0 · 2026-10-08

Earlier issues

Issue 1.0.2 · 2026-08-28 — macOS: installer · zip · Windows: installer · zip

The plate

The restored Tekura 3100 — Perceptual Codec: its faceplate as issued.
Plate 15 · as issued

The controls

The controls.

Bitrate 128 kbps as issued
Sets the coded bitrate: 32, 48, 64, 80, 96, 112, 128, 160, 192, 224, 256, or 320 kbps. Lower rates leave the masking model less room, so more is discarded.
Masking -12.0–12.0 dB · 0.0 dB as issued
Shifts the masking threshold the coder uses to decide what to discard, in decibels either side of its own calculated value.
Block Switch Auto as issued
Chooses whether the coding window switches to a shorter block on a transient: Auto prevents pre-echo; Off keeps one window length throughout.
Joint Stereo 0–100 % · 0 % as issued
Sets how much the stereo image collapses to intensity-coded mono once coded, from none at 0 % to full collapse at 100 %.
Input -24.00–24.00 dB · 0.00 dB as issued
Sets the level going in, in decibels, before the signal reaches the restored circuit.
Output -24.00–24.00 dB · 0.00 dB as issued
Sets the level coming out, in decibels, after the restored circuit and the Mix blend.
Mix 0–100 % · 100 % as issued
Blends the restored circuit against the untouched signal at equal power, from the untouched signal alone at 0 % to the circuit alone at 100 %.
Bypass Off as issued
Takes the restored circuit out of the path and passes the untouched signal, delayed to match the circuit so nothing shifts in time.

A stored setting is numbered, never named: the trace's overlay reads SETTING 04/09. The thumbwheel's position is the setting, and it applies as it clicks into place; ▲ ▼ step one at a time and stop at the ends. STORE asks STORE NN?, and a second press keeps the present state as SETTING NN. Holding STORE on a user setting asks CLEAR NN?, and a second press clears it.

Listening

Listening

Demonstration recordings, prepared at the bench.

  1. One twenty-eight, nominal

    The mix runs dry for five seconds, then the codec takes it at Bitrate 128 kbps, Block Switch on Auto. What goes missing is what the masking model says you would not have heard anyway — mostly.

    0:00 / 0:30

  2. Down the ladder

    Bitrate steps from 320 down to 32 kbps in six moves. The top of the band thins first, then the texture; by 32 kbps the model is rationing, and it shows.

    0:00 / 0:30

  3. The threshold, moved

    At 96 kbps, Masking rises to +12 dB — the model discards more than it should — then falls to −12, where it keeps what it need not. Block Switch goes Off at twenty seconds and the hits smear forward; Joint Stereo closes the image at the end.

    0:00 / 0:30