Orrery — Copenhagen

OR-0036

Yumeo
Japan · 1985 – c. 2005

Ser. D-1183902
1990 · effect

Issued as VST3 · AU

Restored 2026 from 1990 hardware.

Yumeo DAT-7 — DAT Deck

Yumeo DAT-7 · digital audio tape deck · restored from unit no. D-1183902 · Yumeo, Japan, 1990

The restorer's note

The consumer DAT deck — sixteen honest bits, voiced for the living room rather than the lab. Where Tekura's DAT is clinical, this one carries the deck's own converters and their quiet colour. Restored from a well-kept home unit.

Acquisition

The Yumeo Collection $49 · €45 · £39 · 329 DKK The Complete Catalogue $149 · €135 · £115 · 999 DKK

Prices are exclusive of tax. Customers in a country that charges VAT or sales tax will be liable at the rate set by that country; the relevant amount is added at checkout to the purchase price.

Borrow it from the archive for a short time, or acquire it for your collection.

Runs in your studio as AU and VST3 on macOS, and VST3 on Windows.

Download — macOS: installer · zip · Windows: installer · zip

Issue 1.1.0 · 2026-10-08

Earlier issues

Issue 1.0.2 · 2026-08-28 — macOS: installer · zip · Windows: installer · zip

The plate

The restored Yumeo DAT-7 — DAT Deck: its faceplate as issued.
Plate 36 · as issued

The controls

The controls.

Rate 48 kHz as issued
Sets the DAT sample rate: 48 kHz, 44.1 kHz, or 32 kHz, the format's long-play mode with a narrower band.
Word 16-bit as issued
Sets the quantizer's word length: 16-bit, the format's standard depth, or 12-bit, a reduced-depth alternative.
Converter Warm as issued
Chooses the deck's DAC voicing — the consumer colour: Neutral, Warm, or Bright.
Dither TPDF as issued
Switches the dither ahead of the 16-bit quantizer: Off, or TPDF.
Jitter 0–100 % · 10 % as issued
Sets the amount of clock jitter imposed on the signal — the deck transport's own subtle instability.
Input -24.00–24.00 dB · 0.00 dB as issued
Sets the level going in, in decibels, before the signal reaches the restored circuit.
Output -24.00–24.00 dB · 0.00 dB as issued
Sets the level coming out, in decibels, after the restored circuit and the Mix blend.
Mix 0–100 % · 100 % as issued
Blends the restored circuit against the untouched signal at equal power, from the untouched signal alone at 0 % to the circuit alone at 100 %.
Bypass Off as issued
Takes the restored circuit out of the path and passes the untouched signal, delayed to match the circuit so nothing shifts in time.

A stored setup is a memory, shown where a track title would sit; the tray reads 03/12 ARCHIVE. The skip keys ◂◂ ▸▸ step through the memories without changing the sound, and PLAY loads the one shown. REC, then PLAY, opens a new memory's name, which starts as USER NN; TITLE EDIT renames a user memory. The skip keys change the letter, TITLE EDIT moves on, and PLAY stores it; the computer keyboard may type the name instead, Return storing and Escape cancelling as STOP does. ERASE clears a user memory on a second press.

Listening

Listening

Demonstration recordings, prepared at the bench.

  1. Warm, plainly

    The mix runs dry, then through the deck at 48 kHz, 16-bit, Converter set to Warm. The change is small and lives mostly in the top — this is a healthy deck, recorded as found.

    0:00 / 0:30

  2. Down to long play

    Rate steps 48 to 44.1 to 32 kHz — long play, and the band closes in — then Word drops to 12-bit and the floor comes up under the quiet passages.

    0:00 / 0:30

  3. Three voicings, one bad transport

    Converter walks Neutral, Warm, Bright; Jitter then climbs to 70 % and the transport begins to smear. Dither goes Off at the end — set for completeness; on material this dense it is felt more than heard.

    0:00 / 0:30