Orrery — Copenhagen

OR-0039

Yumeo
Japan · 1985 – c. 2005

Ser. R-0412783
1993 · effect

Issued as VST3 · AU

Restored 2026 from 1993 hardware.

Yumeo RV-1 — PureDigital Reverb

Yumeo RV-1 · digital reverb unit · restored from unit no. R-0412783 · Yumeo, Japan, 1993

The restorer's note

The reverb baked into a consumer deck's chip — short, sparse, metallic, the unglamorous grit the expensive boxes spent fortunes to avoid. Which is exactly why it sounds like nothing else today. Restored from an unremarkable, and therefore perfect, unit.

Acquisition

The Yumeo Collection $49 · €45 · £39 · 329 DKK The Complete Catalogue $149 · €135 · £115 · 999 DKK

Prices are exclusive of tax. Customers in a country that charges VAT or sales tax will be liable at the rate set by that country; the relevant amount is added at checkout to the purchase price.

Borrow it from the archive for a short time, or acquire it for your collection.

Runs in your studio as AU and VST3 on macOS, and VST3 on Windows.

Download — macOS: installer · zip · Windows: installer · zip

Issue 1.1.0 · 2026-10-08

Earlier issues

Issue 1.0.2 · 2026-08-28 — macOS: installer · zip · Windows: installer · zip

The plate

The restored Yumeo RV-1 — PureDigital Reverb: its faceplate as issued.
Plate 39 · as issued

The controls

The controls.

Program Hall as issued
Chooses the cheap-chip room — topology and density together: Hall, Room, Plate, Stage, or Vocal.
Decay 0.20–5.00 s · 1.50 s as issued
Sets how long the tank's feedback rings on, from 0.2 to 5 seconds, the short range of the original box.
Tone 1.0–16.0 kHz · 5.0 kHz as issued
Sets the high-frequency damping inside the feedback loop, from 1 to 16 kHz — the metallic colouring of the tail.
Density 0–100 % · 40 % as issued
Sets how many combs and allpasses run, from thin at 0 % to the fullest this chip allows at 100 % — it stays sparse throughout.
Grain 12-bit as issued
Chooses the delay memory's word length: 12-bit, the grittier original, or 16-bit, a cleaner alternative.
Pre-delay 0–100 ms · 10 ms as issued
Sets a silent gap before the tail begins.
Input -24.00–24.00 dB · 0.00 dB as issued
Sets the level going in, in decibels, before the signal reaches the restored circuit.
Output -24.00–24.00 dB · 0.00 dB as issued
Sets the level coming out, in decibels, after the restored circuit and the Mix blend.
Mix 0–100 % · 30 % as issued
Blends the restored circuit against the untouched signal at equal power, from the untouched signal alone at 0 % to the circuit alone at 100 %.
Bypass Off as issued
Takes the restored circuit out of the path and passes the untouched signal, delayed to match the circuit so nothing shifts in time.

A stored setup is a memory, shown where a track title would sit; the tray reads 03/12 ARCHIVE. The skip keys ◂◂ ▸▸ step through the memories without changing the sound, and PLAY loads the one shown. REC, then PLAY, opens a new memory's name, which starts as USER NN; TITLE EDIT renames a user memory. The skip keys change the letter, TITLE EDIT moves on, and PLAY stores it; the computer keyboard may type the name instead, Return storing and Escape cancelling as STOP does. ERASE clears a user memory on a second press.

Listening

Listening

Demonstration recordings, prepared at the bench.

  1. The hall, plainly

    Sticks and hits, dry, then into the Hall program at the factory Mix of 30 % — raised to 80 % at eighteen seconds so the tank itself can be heard. It is small, the tail is metallic, and neither is an accident.

    0:00 / 0:30

  2. Five programs, one chip

    Program walks Hall, Room, Plate, Stage, Vocal — the same sparse chip wearing five names. On Vocal, Decay snaps to 0.2 seconds and then opens out to the full five.

    0:00 / 0:30

  3. Dark, sparse, twelve bits

    Tone at 1 kHz, Density at 10 %, Pre-delay at 60 ms — a dark, clangy, deliberate space. At fourteen seconds Grain drops from 16-bit to 12-bit and the tail picks up its grit.

    0:00 / 0:30